Tim Fain

photo by Briana Blasko

With his adventuresome spirit and vast musical gifts, violinist Tim Fain has emerged as a mesmerizing presence on the music scene. Fain is seen and heard in the film Black Swan, and gives “voice” to the violin of the lead actor in the hit film 12 Years a Slave, as he did with Richard Gere’s violin in Fox Searchlight’s feature film Bee Season. Most recently, Fain collaborates with Google on a virtual reality (VR) music and film project RESONANCE that introduces VR capability for YouTube to the world.

Launching his career with Young Concert Artists and an Avery Fisher Career Grant, he has performed with the Baltimore Symphony with conductor Marin Alsop, at Lincoln Center’s Mostly Mozart Festival and with the Orchestra of St. Luke’s. Fain has also appeared with the Mexico City, Tucson, Oxford (UK), and Cincinnati Chamber Symphonies; Brooklyn, Buffalo and Hague Philharmonics; the National Orchestra of Spain; and the Curtis Symphony Orchestra in a special performance at Philadelphia’s Kimmel Center. In addition, he was the featured soloist with the Philip Glass Ensemble at Carnegie Hall in a concert version of Einstein on the Beach, which he performed again this season in South Korea, and he continues to tour the US and Europe in a duo-recital program with Philip Glass.

His multi-media evening Portals premiered in New York, Los Angeles, at its mid-western debut at Omaha’s KANEKO, and at Australia’s Melbourne Festival and Le Lieu Unique in France. The centerpiece of the evening is Partita for Solo Violin, a new work written especially for him by Philip Glass; the production also features collaborations with Benjamin Millepied, Leonard Cohen, and filmmaker Kate Hackett, with radio personality Fred Child appearing on screen.

Tim performs a repertoire ranging widely from Beethoven and Tchaikovsky to Aaron Jay Kernis and John Corigliano. Fain’s discography features River of Light (Naxos); Arches; The Concerto Project IV with the Hague Philharmonic featuring Philip Glass’s Double Concerto for violin and cellist Wendy Sutter, and Tim Fain Plays Phillip Glass (both on Orange Mountain Music); and most recently First Loves (VIA Records)

Fain has collaborated with such luminaries as Pinchas Zukerman, Richard Goode, Jean-Yves Thibaudet, Mitsuko Uchida, and Jonathan Biss, and has appeared with the Mark Morris Dance Group, Seán Curran Company, and Bill T. Jones/Arnie Zane Dance Company. In addition, he performed onstage with the New York City Ballet alongside the dancers in the acclaimed premiere of Benjamin Millepied’s “Double Aria.” Never limited by genre, Fain has also worked with jazz pianists Billy Childs and Ethan Iverson (The Bad Plus), Joanna Newsom, Bryce Dessner (The National), guitarist Rich Robinson (Black Crowes), Matchbox Twenty singer-songwriter Rob Thomas (in an appearance at Jazz at Lincoln Center), James Blake, and rappers Das Racist and Rahzel.

A native of Santa Monica, California, Tim Fain is a graduate of The Curtis Institute of Music in Philadelphia, where he studied with Victor Danchenko; and The Juilliard School, where he worked with Robert Mann. He performs on a violin made by Francesco Gobetti, Venice 1717, the “Moller,” on extended loan from Clement and Karen Arrison through the generous efforts of the Stradivari Society of Chicago.