Robert Honstein has had his music performed throughout North America by ensembles such as the Cabrillo Festival Orchestra, the New York Youth Symphony, the Albany Symphony Orchestra, the Woodstock Chamber Orchestra, Ensemble ACJW, Ensemble Dal Niente, the Mivos quartet, the Del Sol Quartet, Concert Black, TIGUE, and the Pittsburgh New Music Ensemble, among others. He has received an Aaron Copland Award, multiple ASCAP awards and other honors from SCI, Carnegie Hall, and New Music USA. He has also received residencies at Copland House, the Kimmel Harding Nelson Center, I-Park, the Bang on a Can Summer Institute, and the Tanglewood Music Center.
Robert co-produces Fast Forward Austin, an annual marathon new music concert in Austin, TX and is a founding member of the New York based composer collective Sleeping Giant. Upcoming projects include commissions from cellist Ashley Bathgate, a consortium of pianists for a solo piano work, and a new work for Eighth Blackbird as part of a collaborative project with Sleeping Giant. He is also composer-in-residence, along with his Sleeping Giant colleagues, with the Albany Symphony Orchestra, as part of a Music Alive grant from New Music USA and the League of American Orchestras. He studied composition at the Yale School of Music with Martin Bresnick, Chris Theofanidis, and David Lang.
Rise is a brief orchestral essay on moving upward. The music is one extended ramp, an awakening followed by a brief fall, landing somewhere different then where it began. It is also a meditation on the idea of the pastoral. From Vivaldi to Strauss, there is a long tradition of evoking the pastoral landscape in symphonic music. What does it mean to romanticize nature in the post-industrial, climate-changing 21st century? Perhaps this explains the somewhat haunting mood of the piece. There is a celebration of the natural world, but also an unsettled feeling that never resolves.